AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |
Back to Blog
Muramatsu serial numbers11/11/2022 ![]() What might well work for me is not necessarily going to work for someone else. ![]() Fact: we are all constructed differently, therefore, we will blow flutes in very varying ways. This has a colossal impact on the character and pitch of the sound that comes out of the flute/flute player. Whilst the correct positioning and size of the holes on the flute are of obvious importance, there are many more factors beyond the construction of the instrument that need to be considered in the art of playing in tune.Ī key area that seems to be ignored in this discussion is individual physiology. This includes having a precise concept of pitch and the relative distances between notes. It is up to the musician to use his or her intelligence and ears to play the instrument that they have in their hands to the best of their ability. What finally comes out of the instrument is the responsibility of the performer, not the instrument itself. ![]() However, it should be remembered that in the end, there is no such thing as an in tune flute. It has also to be noted that advances in flute design and making over the past four decades or so has been significant to the extent that many flute makers across the globe are now making outstandingly good instruments. However, like many, I am not a scientist, and as such not qualified to make absolute comment on the merits of one flute scale over another, other than through my observations of what I personally experience as a performer. One could now have lengthy discussions about precise measurements and distances. There are very logical and valid reasons for trying to make the instrument as close to perfection as possible, and the dedication shown by the few in attempting to evolve the flute further is to be applauded. #MURAMATSU SERIAL NUMBERS FULL#I am full of admiration for people who take a scientific approach to the whole process of putting a flute together. I refer to the tuning of flutes and the ‘war’ that appears to be waged by certain distinguished players and teachers in the UK against manufacturers they have either an axe to grind with or quite simply, no time for. I certainly have no intention to offend anyone, but equally, the endless highly disturbing stories that I hear back from both professionals and students make me realise that silence is no longer an option. In my 35 years or thereabouts at the top end of the orchestral world in the UK I have tried to avoid confrontation, and it is only after a long period of thought that I have finally decided to share my opinions. For many years now there has been an issue in the British flute world that has been allowed to continue unchecked and I feel that is time that someone with a contrasting view voices an opinion. ![]()
0 Comments
Read More
Leave a Reply. |